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| The Guardian - Culture: Film | | | | Misha and the Wolves review – Holocaust hoax doc plays like thriller | | by Cath Clarke Sep 2, 2021 | | This film about Misha Defonseca, author of a ‘memoir’ about escaping the Nazis and sheltering with wolves as a child, is propulsively watchable “Sometimes a story is so astonishing it’s unbelievable.” So said a Massachusetts radio presenter in the 90s, introducing Misha Defonseca, a local Jewish woman originally from Belgium. As a child in the war, Defonseca walked hundreds of miles across Nazi-occupied Germany to find her parents. She was one of Belgium’s “hidden children”, taken in by a Catholic family, her identity erased. In her internationally bestselling memoir she described how, cold and hungry, she was sheltered by a pack of wolves. Disney wanted to turn it into a film. Oprah Winfrey’s book club was interested. The thing is: Defonseca was a fake. Never mind a pack of wolves, her whole memoir was a pack of lies; a hoax Holocaust narrative. This documentary assembles the story like a thriller, interviewing the key players, keeping the audience guessing about certain important details until the end. It’s propulsively watchable if a tad light on reflection. And you may feel hoodwinked by one late reveal. Continue reading... | | | | | Michelle Yeoh: 'Jackie Chan thought women belonged in the kitchen – until I kicked his butt' | | by Ryan Gilbey Sep 2, 2021 | | The kung fu goddess talks about her most eye-popping stunts, her yearning to do another Crazy Rich Asians, and her outrageously enjoyable new Marvel movie, Shang-Chi and the Legend of the Ten Rings Ten minutes into my conversation with Michelle Yeoh, there is a misunderstanding. We are discussing her character in Shang-Chi and the Legend of the Ten Rings, an outrageously enjoyable new Marvel adventure about a San Francisco parking valet trying to ignore his destiny as a martial arts warrior. Yeoh plays Ying Nan, a beneficent gatekeeper who lives on the far side of an enchanted bamboo forest. Another character, played by Awkwafina, refers to Ying as “an awesome magical kung fu goddess”. When I mention this, Yeoh thinks Awkwafina made the remark about her. “Oh, that’s so sweet!” she says. “Of course, I already knew Awkwafina because we were both in Crazy Rich Asians.” There’s no need to point out the error, because it is perfectly true: Yeoh really is an awesome magical kung fu goddess. No one would argue with that. Not the millions who gasped as she skipped nimbly up walls and across rooftops in Crouching Tiger, Hidden Dragon. Nor the ones who flocked to her early Hong Kong action movies with the likes of Jackie Chan and Cynthia Rothrock. Not the ones who were first introduced to her in the Bond movie Tomorrow Never Dies. And certainly not Oliver Stone, who called her “a woman of elegance and magnificent grace – the young grande dame of Hong Kong cinema”. Nor Quentin Tarantino, who rushed to her bedside when she was in a body cast for a dislocated neck and cracked rib sustained after falling 18ft on to her head while filming The Stunt Woman in 1996. “He insisted on seeing me and sat on two pillows at my feet and recounted my movies frame by frame,” she later said. Continue reading... | | | | | |
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