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| | | Punchdrunk to stage epic 'future noir' drama in old London arms factory | | by Chris Wiegand Sep 6, 2021 | | Dystopian Trojan war play The Burnt City at site of Royal Arsenal will be company’s costliest and most ambitious immersive piece The immersive theatre company Punchdrunk, celebrated for creating labyrinthine adventures in atmospheric locations, is to undertake its costliest and most ambitious project to date with a “future noir” retelling of the fall of Troy. The Burnt City will be staged in cavernous buildings at the company’s new headquarters at Woolwich Works, a creative hub in the historic site of the Royal Arsenal in Woolwich, south-east London. Some 600 theatregoers at a time will be given free rein to walk around the contrasting ancient worlds of Troy and Mycenae, each given a dystopian sci-fi spin, where they will encounter gods, monsters and perhaps a secret passageway or two over a three-hour evening. Continue reading... | | | | | Mona Lisa and the Blood Moon review – B-movie thrills in New Orleans superhero gumbo | | by Xan Brooks Sep 5, 2021 | | The new film from Ana Lily Amirpour will keep the fans happy with the tale of mind-controlling waitress on the loose the French Quarter Iranian-American director Ana Lily Amirpour serves up heaped spoonfuls of B-movie thrills in Mona Lisa and the Blood Moon, in which a supernatural teen wanders wild in New Orleans. If the film is finally more moony than masterpiece, it does more than enough to keep her fanbase onside. Amirpour’s first film, A Girl Walks Home Alone at Night, was a vampire western; her second, The Bad Batch, a cannibal romance. On the menu this time: superhero gumbo. Grab a bowl and tuck in. Whatever you do, don’t look in the waitress’s eyes. Jeon Jong-seo stars as Mona Lisa Lee, who exerts a form of hypnotic mind control that can make her enemies slap themselves, stab themselves or put a bullet in their own knees. She’s just busted out of the “Home For Mentally Insane Adolescents” where she’s been held for ten years, and now has to make sense of the world as she goes along. Seat belts are a puzzle and money is a foreign language. In one scene we see Mona gazing in abject mystification at an image of Donald Trump on TV – and this at least suggests that the girl is learning fast. Continue reading... | | | | | |
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