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The Guardian - Culture: Film Edit Unfollow The Incarnation review – haunted-house horror with a property-greed edge by Leslie Felperin Mar 1, 2022 An affluent young couple awaken a vengeful spirit in a by-the-numbers chiller conceived under pandemic conditions Some day there will be PhD theses written on the strange anomie of films shot during the pandemic, written so everything basically happens in one house using just a handful of actors. There have already been scads of low-budget horror films in this mode which have trickled out over the last few months, and some are quite interesting and inventive. This one, not so much. A good-looking young couple, Brad (Taye Diggs) and Jess (Jessica Uberuaga), have just bought a house somewhere in the hills above California’s San Fernando Valley. Seen often via drone footage, it is an oddly constructed abode that looks like a cross between geodesic dome and an egg incubator. Meanwhile, the camera spends a lot of time roaming the building’s corridors and empty rooms, like we’re watching an estate agent’s VR tour. That sort of fits given Brad and Jess are small-time developers who buy places like this in order to flip them for profit. Continue reading... Continue Reading

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