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| | | Kojey Radical: 'I can't think of a day when my mum's not been there' | | by Jenessa Williams Mar 1, 2022 | | The ambitious London rapper’s long-gestating debut album sees him mixing grime, P-Funk and R&B in upbeat fashion, with his mum taking a starring role Tricky beast that it is, the music industry has a horrible habit of presenting its most promising talent with an impossible dichotomy. Release your music too soon, and you might fumble your first impression; take too long, and you risk getting lost in the crowd, sentenced for ever to “underrated” status as your faster-acting peers ascend. Fortunately for him and us, Kojey Radical has never been too bothered about following anybody else’s path. While the London rapper is a dexterous amalgamator of genres, he knew that he needed time to incubate his best ideas, warming up across a near decade of well-received projects before committing to a debut album, Reason to Smile, a cohesive yet varied offering that makes no bones about its own ambition. Continue reading... | | | | | My streaming gem: why you should watch Sankofa | | by Zach Vasquez Mar 1, 2022 | | The latest in our series of writers highlighting lesser-known films is a recommendation for a distinctive early 90s drama about slavery I first saw Sankofa fifteen years ago, as part of a college course on the African diaspora. For years after, I would bring it up any chance I got, which wasn’t often, since in all that time, I never met anyone outside of that classroom who had even heard of it. Unlike any number of other forgotten masterpieces, the film was never that hard to track down – you could purchase a VHS or DVD copy with relative ease, and there were versions of it to stream if you knew where to look (the legality of said streams is another matter) – yet, until very recently, it remained largely unknown outside of Black academic/sociopolitical circles (who by no means should be discounted). Although it earned unanimous acclaim, as well as several awards, during its initial run on the 1993 international festival circuit, Sankofa never received widespread distribution prior to last September, when Netflix and Array, the distribution company founded by director Ava DuVernay, released a beautiful new 4K restoration of the film on the platform and in a few select theaters. Prior to that, Ethiopian-born director Haile Gerima – who emigrated to the United States in the late ’60s and became part of what would come to be known as the LA Rebellion school of black film-makers – self-distributed his movie, booking screenings at indie theaters, bookshops, libraries and colleges. Continue reading... | | | | | |
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