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| | | 'Music that will be forever in my heart': readers' best albums of 2022 | | by Guardian community team Jan 3, 2023 | | From Ezra Collective’s joyous jazz to Little Simz’s old-school rap and King Gizzard’s madcap psychedelia – these were your favourites albums of the year This record is fabulously produced and there’s not a bad track to be found. It’s one of those rare albums you can play on repeat without getting tired of it. Sometimes, Nicole Wray’s soulful voice sounds like she’s time-travelled from the 1960s, and other times it’s distinctly more modern, like on Through It All. Piece of Me and Joy & Pain evoke an Aretha Franklin-esque heartache, with captivating melodies. But there’s also that completely addictive rhythm perfectly captured by Tommy Brenneck and Leon Michels, which provides such a stable foundation for Wray to show off her vocal skills. Darragh Boyd, 34, London Continue reading... | | | | | 'They are holding on to a dream': the last bohemians at New York's Chelsea Hotel | | by Kat Lister Jan 3, 2023 | | Cultural icons from Patti Smith and Bob Dylan to Allen Ginsberg and Arthur Miller once roamed its corridors – but what of the artists still living there? A new film checks in with the refuseniks holding out against gentrification A young Patti Smith playfully leans over a rooftop wall, her raven-black hair tangling with the wind as she points towards the stiletto nib of the Empire State Building in the distance. “Dylan Thomas used to hang out on this very roof!” says the singer. “I’m sure he threw up one too many rums.” She laughs, then turns to face the camera. “I’ve always wanted to be where the big guys were, you know?” This is the opening of Dreaming Walls: Inside the Chelsea Hotel, a film about the famous New York landmark. In the course of its 138-year history, this 12-storey Victorian gothic building on West 23rd Street has meant many things to many people. For Smith, who lived there in the early 70s, its wrought iron floral balconies and spiralling grand staircase signified something ecclesiastical – “like a doll’s house in the twilight zone”, she would later write in her evocative memoir, Just Kids. Continue reading... | | | | | |
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